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Sumario 2.1 A periodización literaria, un dispositivo crítico. – 2.2 Os conceptos básicos de Karl Mannheim. – 2.3 Autores, xeracións e poéticas na poesía galega 1916-31. – 2.4 Dúas situacións xeracionais. – 2.5 Tres conexións xeracionais. – 2.6 Catro unidades xeracionais.
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Le présent article expose les conséquences de l’instabilité fonctionnelle du sujet/auteur dans la constitution du je lyrique et la projection de ce dernier dans les plans de l’intersubjectivité et de l’espace public. Nous proposons une lecture socioculturelle et politique des alternatives non lyriques offertes par la production poétique contemporaine, elle-même sujette à des processus d’expansion qui bouleversent le cœur même des caractéristiques habituellement employées pour catégoriser le discours lyrique de façon théorique et critique, ainsi que pour préserver une équivalence conceptuelle inappropriée entre poésie et lyrique. Mots-clés: POÉSIE NON LYRIQUE. POST-POLITIQUE. SPHÈRE PUBLIQUE. SUBJECTIVATION. SUJET.
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Galician literary historiography shows links and ruptures that refer to the cultural history of Galicia itself and to the sequence of historical events that have delineated the social, economic and political development of the country since the nineteenth century. These coordinates comprise a series of processes, including the elaboration and propagation of ideologies aimed at achieving a way out of political subalternity and oriented towards the horizon of national emancipation. Those events and these processes also marked the connection of Galicia with modernity and the dynamics of historical change. As a result of the above, this book analyses critically the institutionalization processes of the history of Galician literature – with special emphasis on historiographic models such as that of Said Armesto, Carvalho Calero, Méndez Ferrín and others – and indicates the need to undertake a productive methodological innovation of the discipline in heuristic, organic and discursive terms. It further argues that this update should pay attention to substantive theoretical debates, not exclusively of specific cultural coordinates, such as Galician ones or any others that could be considered. Among these, the cooperation between history and sociology, the intellection of literary facts as historical facts, the review of the link between literary history and nation, the public uses of literary history, and the inquiry of discursive choices that promote a less self-indulgent and predictable historiography. This essentially involved a challenge, that of permanent dialogue with some of the most powerful critical reinterpretations of the Galician historiographic tradition and with alternative models constituted from feminist thought, postcolonial theories, the sociology of the literary field or the systemic theories of culture, as well as with the contributions made from a post-national understanding of the literary phenomenon.
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Decálogo da Crítica Literaria, por Arturo Casas.
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La sociocrítica es una corriente desarrollada, en particular, en el ámbito académico francófono, que incorpora parte de las bases teóricas marxistas sobre el análisis literario, en especial en el sentido en el que fueron reformuladas por Lukács y Goldmann y, en otro orden, también por Bajtín y Adorno, con el propósito de desmarcar ese análisis de la simple descripción de contenidos y de una serie de determinismos. Se verá aquí en qué medida la sociocrítica, habitualmente centrada en el estudio de la ficción narrativa, puede ser útil para un análisis del poema atento a lo social como lenguaje, a la interdiscursividad y, en la tradición teórica de Bajtín y Volóshinov, al carácter ideológico y dialógico de todo acto comunicativo. Bakhtin and the Poem as a Sociocritical Subject Abstract Sociocriticism is a trend particularly developed in the academic sphere of the Francophonie. It incorporates some of the Marxist theoretical bases for literary analysis, especially as reformulated by Lukács and Goldmann, and in another direction also by Bakhtin and Adorno, with the aim of avoiding the mere description of contents and a series of different determinisms. Sociocriticism has usually been focused on the study of narrative fiction. This paper, however, will explore the extent to which sociocriticism could be useful in analysing poetry with an approach to the social as language, to interdiscursivity, and, in Bakhtin and Voloshinov’s tradition, to the ideological and dialogical status of every communicative act. Recibido: 08 de septiembre de 2023Dictaminado: 02 de octubre de 2023Aceptado: 23 de noviembre de 2023
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This paper describes the tradition of sociological studies on the social conflict and its growing topicality, with an increasing presence in various areas of the social sciences. Subsequently, the analysis focuses on providing an outline of the heteroglossal-dialogic poem which deals with social conflicts, and it shows the pertinence of a critical return to the proposals of Bakhtin and Voloshinov regarding poetic enunciation and itspossible modelling, for which alterity should be the required starting point El artículo describe la tradición de los estudios sociológicos sobre el conflicto social y su actualidad creciente, con presencia en diversas áreas de las ciencias sociales. A partir de aquí, el análisis centra la atención en el perfil del poema heteroglósico-dialógico referido a conflictos sociales, y muestra la pertinencia de un regreso crítico a las propuestas de Bajtín y Volóshinov sobre la enunciación poética y su posible modelización, en la que la alteridad debería ser punto obligado de partida.
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As páginas que seguem reúnem contributos de especialistas dos estudos galegos que dialogam criticamente com o legado teórico de González-Millán com o fim de abrir novas leituras e vias de interpretação — também para identificar lacunas e inconsistências, algumas fruto da atualização histórica que permitem as décadas percorridas desde o fatídico 2002. Juntam-se neste volume académicas/os que tiveram contacto direto e colaboraram com González-Millán e estudiosas/os que se aproximaram da sua obra de forma ativa. Tudo isto configura um volume que acreditamos de interesse fulcral para os estudos galegos atuais, embora não se esgotem nos escritos aqui contidos as reflexões e possibilidades hermenéuticas que a diversa (e lúcida) produção do autor de Ogrove permite enxergar. Pouco mais de vinte anos depois da sua morte, a sua obra abre-se neste livro a um renovado diálogo crítico com especialistas atuais do campo académico galego.
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