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This article addresses the interaction between urban regeneration and cultural policies. Planning and developing urban transformation may foster positive and experience design through the experience economy, targeting a cohesive cultural narrative and identity. The discussed case study discussed here concerns the reuse of the AXA Building in the historic center of the city of Porto, in Portugal, as an alternative to classical integrated urban cultural policy and the promotion of free access dynamic leisure activities. In this case, the reuse of a historical building resulted from a hybrid project. Characterized by fusion, the design combined urban rehabilitation, heritage conservation and maintenance, cultural institutions, environments and experiences, social interaction, recreation, and programs aimed at improving the quality of life of both residents and visitors.
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Recently there has been a resurgence of murals in several European and American cities. Street art visual practices have privileged murals as one of the most suitable formats to address public spaces. Despite the increasing recognition and significance of murals for the visual culture of these cities, this contemporary urban art practice has not received much attention from recent literature. This paper provides a literature review on contemporary murals, giving an account of their popularity, their relation to location-specificity and global presence, as well as the means of dissemination of such art expression. The study will then focus on a set of case studies in Lisbon, regarding the paradigmatic shift from sculpture commissioning to mural commissioning within Portuguese Brazilian cultural relationships. The works of OSGEMEOS, Bicicleta sem Freio and Nunca will be discussed in this framework, questioning what the contributions of contemporary mural works might be for the public spaces of the city.
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First of all, PICHACAO; is not graffiti. It is something distinct that only happens in Brazil. What a subversion is to sign the city with your own made-up name, especially a city that seems not to be projected for you? Lights, Ca...
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Empreendendo uma análise profunda de três romances representativos da literatura latino-americana recente, Diana Klinger aborda dois elementos fundamentais presentes na ficção contemporânea: a presença marcante da primeira pessoa, em que se identificam aspectos de discurso autobiográfico, e uma perspectiva afastada sobre o outro, caracterizando uma literatura que atravessa fronteiras culturais. Escritas de si, escritas do outro constitui, portanto, obra fundamental para a compreensão das novas tendências da ficção contemporânea e, notadamente, da produção literária latino-americana da atualidade.
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