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My discussion will proceed in three parts. First, I shall explicate the implicit Westphalian presuppositions of Habermas’s public sphere theory and show that these have persisted in its major feminist, anti-racist and multicultural critiques. Second, I shall identify several distinct facets of transnationality that problematize both traditional public sphere theory and its critical counter-theorizations. Finally, I shall propose some strategies whereby public sphere theorists might begin to respond to these challenges. My overall aim is to repoliticize public sphere theory, which is currently in danger of being depoliticized.
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El doble sentido y la picardía, la utilización de términos eminentemente populares son inherentes a esta música desde sus orígenes, aunque es indudable que existen diferentes formas de abordarlos. Entonces, hay que buscar el cambio en el necesario reflejo de nuevas realidades, de lo cual la música ―como hecho estético― no puede escapar.
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La defensa ideológica del carácter del mexicano con sus ecos coloniales, los sentimientos románticos entrelazados a la gesta patria y el progreso, los resabios religiosos, la inconformidad de escritores, artistas e intelectuales que experimentan la melancolía cosmopolita se impusieron con la fuerza de lo fundacional.
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La ensayista Laura Scarano nos presenta un artículo, particularmente lúcido, en torno a la poéticas del siglo XXI en lengua española. El texto atiende la poesía contemporánea en el marco de un hispanismo transatlántico, con un abanico de subjetividades, escenarios y narrativas, que oscilan entre las reivindicaciones de lo local y las inevitables servidumbres de lo…
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