Your search
Results 4 resources
-
[A1] La propuesta de la presente ponencia es la de realizar un abordaje del poemario Praga (1982) del escritor Manuel Vazquez Montalbán (1939-2003), a partir del rastreo del vínculo entre poesía y memoria. La alusión lateral a un episodio central de la historia europea del siglo XX, la invasión de Praga por parte de la Unión Soviética y sus aliados del Pacto de Varsovia, hecho que pondría fin a la etapa de apertura política y liberalización reformista que propiciaba un socialismo con rostro humano” conocido como la Primavera de Praga (1968), permite al autor catalán llevar adelante una reelaboración del pasado a través de un viaje por la memoria personal y por la memoria histórica conjugando racconto biográfico con análisis político, tono confesional con distancia crítica. Como muchas de las obras de nuestro autor, Praga es un libro inclasificable —poema-libro” o “libropoema” (Manuel Rico); “monólogo” o “dilatada meditación” (Lluis Izquierdo)— que convierte a la capital de la actual República Checa en un auténtico “sitio de memoria”(Pierre Nora).
-
Desde que Serge Doubrovsky definiu na súa novela de 1977, Fils, a categoría “autoficción” até a súa recuperación serodia desde o ámbito da narrativa –revisada na península por teóricos como J. M. Pozuelo Yvancos ou Manuel Alberca–, son múltiplas as aplicacións e reflexións arredor desa modalidade pretendidamente transxenérica. Certas modulacións presentes no discurso poético, como a aparición do nome da autora ou un entretecido poemático de datos procedentes da súa biografía, permiten trasladar esa tensión entre o biográfico e o ficcional aos textos.
-
After centuries of symbolic and political oppression, Galicia has been recognized by the Spanish constitution as a historic nationality. However, despite a certain degree of political autonomy, Galician identity is threatened by increasing homogenization in the economic, social, cultural and linguistic fields. In the early 1990s the aesthetic movement Bravú constructed an aesthetic community, sustained by an ideological project, and with the aim to, on the one hand, prevent Galician culture from becoming folklore stuck in a time warp and, on the other hand, to validate Galician identity. The Bravú artists refused the historically inherited outsider position and contributed to a reinvention of Galician identity and of a political ideal within a cosmopolitan, internationalist framework and by reversing social stigmas through their works and performances.
-
The concept of ‘resistance' has turned into a critical tool in different areas of political, philosophical and sociological thought. At the same time, the notion seems to be as productive as it is diffuse. ‘Resistance' is used in very specific contexts in scientific or technical disciplines, and with extreme flexibility in social and cultural studies. In the latter two areas, the concept is often used without prior reflection on its characteristics and limitations. In What is Philosophy?, Deleuze provides a possible framework for conceiving cultural and political practices of resistance as positions of force, when he defines contraction as ‘a contemplation that preserves the preceding in the following'. The purpose of this article is to understand political ecologism in its activist and poetical dimensions, in light of a Deleuzian interpretation of resistance.
Explore
POEPOLIT
- Project Results (1)
Focus
- Literary (4)
- Aesthetic (3)
- Cultural-Semiotic (3)
- Empirical/Systematic (3)
- Hermeneutic (3)
- Historical (3)
- Space/ City Studies (3)
- Anthropological (2)
- Comparatist (2)
- Cultural Analysis (2)
- Cultural Studies (2)
- Feminist (2)
- Interartistic (2)
- Media Studies (2)
- Performance Centred (2)
- Philosophy/Political Theory Studies (2)
- Sociological (2)
- Subaltern Studies (2)
- Body Studies (1)
- Gender Studies (1)
Geocultural Space
Period
- 1990-present (3)
- 1946-1989 (1)
Interartistic Relations
- Cinema (2)
- Graphic Art (2)
- Music (2)
- Other (2)
- Performance (2)
- Videos (2)
Repertoires
- Poetics of Knowledge
- Social Poetics (4)
- Identitarian Poetics (3)
- Metapoetry (3)
- Narrative Poetics (3)
- Neo-epic Poetics (3)
- Poetics of the Body (3)
- Poetics of Voice (3)
- Agitprop Poetics (2)
- Feminist Poetics (2)
- Poetics of Staging (2)
- Biographic Poetics (1)
- Heteroerotic Poetics (1)
- Ludic Poetics (1)
- Poetics of Performance (1)
- Satirical Poetics (1)
Resource type
- Book Section (1)
- Conference Paper (1)
- Journal Article (2)