Your search
Results 3 resources
-
Asomarse a la escritura de Francisco Hernández (San Andrés de Tuxla, 1946) significa descubrir los infinitos matices del sufrimiento del artista en una gama tan amplia como la que va del escueto aforismo al poema en prosa. Desde su primer libro, aparecido hace ahora cuarenta años, el autor ha ido conformando el discurso poético más atormentado e inquietante de su generación. Y también uno de los más polifónicos.
-
This article analyses a range of discourses articulated around the figure of the film archive between the late nineteenth and the early twenty-first centuries, accounting for the various possibilities that they open up for considering audiovisual heritage as a potential space either for revolutionary change or for political or textual resistance. Focused mainly on archival discourses in Mexico, the article traces their interaction with both national-historical and anti-imperialist narratives, and the implications of digital and online culture for the encounter between the archiving of film and resistance. It accounts for the position of the archive in negotiations between state and private capital and spaces of artistic autonomy, and for the relationships between the archive, modernity, postmodernity and the notion of posterity.
-
This is a book about the politics of alternative poetries and poetic practices, and the ways that experiments in poetry have provided 'spaces' within which radical or revolutionary perspectives can be developed. It explores social and cultural ideas that more normative mainstream cultural representations might seek to suppress. It demonstrates the ways that poems say things about cultural and social issues, and can say them in new and different ways. My work is conceptual, drawing on a variety of theoretical positions to help read poems that are resistant to giving up an easily digested meaning. It is also empirical, and begins with the material evidence of the poems, worrying away at individual words in detailed analyses of the semantic and syntactical relationships in the work. I try to show that any difficulty is worth the effort, and that poems that try to reflect the complexities of modern and contemporary culture and society are not only sometimes difficult to read, but they often have to be.
Explore
POEPOLIT
- Project Results (1)
Focus
- Literary (3)
- Interartistic (2)
- Aesthetic (1)
- Anthropological (1)
- Comparatist (1)
- Cultural Analysis (1)
- Cultural-Semiotic (1)
- Cultural Studies (1)
- Empirical/Systematic (1)
- Hermeneutic (1)
- Historical (1)
- Media Studies (1)
- Performance Centred (1)
- Philosophy/Political Theory Studies (1)
- Sociological (1)
- Space/ City Studies (1)
- Subaltern Studies (1)
Geocultural Space
Period
- 1990-present (2)
Interartistic Relations
- Graphic Art (2)
- Performance (2)
- Cinema (1)
- Music (1)
- Other (1)
- Videos (1)
Repertoires
- Poetics of the Body
- Metapoetry (2)
- Narrative Poetics (2)
- Poetics of Voice (2)
- Agitprop Poetics (1)
- Identitarian Poetics (1)
- Intimist Poetics (1)
- Neo-avant-guard Poetics (1)
- Neo-epic Poetics (1)
- Poetics of Knowledge (1)
- Poetics of Staging (1)
- Social Poetics (1)
- Surrealist Poetics (1)
Resource type
- Book (1)
- Book Section (1)
- Journal Article (1)