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Graffiti, Street Art, and Culture in the era of the Global City: The Ana Botella Crew case
Resource type
Author/contributor
- Menor, Luis (Author)
Title
Graffiti, Street Art, and Culture in the era of the Global City: The Ana Botella Crew case
Abstract
What is the role of art in the reinforcement or rejection of current models of public space management in our cities? To answer this question, we must attend to the ties of all artwork with public institutions, and whether or not it questions the dominant order. In this article, I will focus on the works of the Ana Botella Crew, a group of artists from Madrid, as an example of “artivism” that challenges the City Council’s management of public spaces in Madrid. My aim is to explore how useful internet tools can be to articulate artistic interventions that challenge the hegemonic uses of public space, in what Sassen has called the global city.
Date
2016
Short Title
Graffiti, Street Art, and Culture in the era of the Global City
Accessed
3/12/24, 9:13 AM
Library Catalog
Semantic Scholar
Notes
Citation
MENOR, Luis, 2016. Graffiti, Street Art, and Culture in the era of the Global City: The Ana Botella Crew case. In: . Online. 2016. Available from: https://www.semanticscholar.org/paper/Graffiti%2C-Street-Art%2C-and-Culture-in-the-era-of-the-Menor/1385f6b66ef41bf4ba60ea8df1d65c1cd9d58ff6 [Accessed 12 March 2024].
Focus
Geocultural Space
Period
Interartistic Relations
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